The work features elements such as a horse draped in red gauze, placed in a water-filled indoor environment, and explores the relationships between humans, animals, and natural elements like snails, horses, and water. The concept is rooted in posthuman philosophy, focusing on how nonhuman environments shape and influence human perception. It encourages deep reflection on nature and nonhuman materiality, highlighting how the world is no longer defined solely by human-centered subjectivity but by the dynamic interactions between humans and nonhumans. In this view, the traditional boundaries between subject and object are blurred, creating a fluid, interconnected ecological relationship in which both parties influence and constrain each other.

This approach invites the audience to reconsider their relationship with nature and nonhuman elements, shifting away from anthropocentrism. The piece encourages viewers to reflect on how we understand and define human roles and meaning in a rapidly advancing technological era. Through artistic expression, the work not only exposes the ecological crises and technological dilemmas faced by modern society but also prompts reflection on how to achieve balance and harmony in an interconnected world.

In this context, the use of elements like the horse, the snail, and the water environment brings attention to the vital interdependencies between all forms of life. The red gauze on the horse serves as a symbolic veil, perhaps hinting at the fragility of life or the tensions between nature and human interference. The water, a fundamental life source, represents both purity and fluidity, symbolizing the ongoing flow of existence that connects all living beings, human and nonhuman alike. The interaction between the human figure and these elements explores how humanity is shaped by the forces beyond its control, encouraging a deeper understanding of our role within the ecosystem.